Archive for the ‘Software’ Category

Photoshop: Selecting objects with irregular outlines

Sunday, May 30th, 2010

My article in Digital Life on 26 May 2010 (Choice selections) illustrated the use of the Lasso Tool, the Polygonal Lasso Tool and the Magic Wand Tool for making selections of objects or areas of the image with an irregular outline.

Red telephone booth amidst drab surroundings

Red telephone booth to be selected and preserved

Red telephone preserved while surroundings toned down to Black and White

Surroundings toned down to Black and White

Where there is a fair amount of contrast in colour between the object to be selected – such as the red telephone booth – and the surrounding pixels, you can also use the Magnetic Lasso Tool.

Just click anywhere on the edge of the object move the mouse along the edge of the object, in this case the booth. As the mouse moves along the edge, Photoshop will detect where the edge is by examining the contrast between the pixels on either side of the mouse cursor.

Photoshop will place anchor points along the edge as you go along. You don’t have to click the mouse button.

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HDR Toning in Photoshop CS5 (Part 2)

Monday, May 24th, 2010
Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Photorealistic High Contrast - I like the few high contrast HDR toning effects.

Photorealistic High Contrast Preset - I like the few high contrast HDR toning effects available.

Photorealistic Preset

Photorealistic Preset

Surrealistic High Contrast effect - I like the few high contrast presets available.

Surrealistic High Contrast effect

Using the “Local Adaptation” Method, there are 14 Presets available that gives a whole spectrum of different HDR Toning effects. I have included above the results of a few of my favourite presets.

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New HDR Toning feature in Photoshop CS5 (Part 1)

Sunday, May 23rd, 2010
HDR-like effect applied to a single snapshot

HDR-like effect applied to a single snapshot

Ever saw those surrealistic digital photographs of landscapes that are so rich in colours? These High Dynamic Range (HDR) photos are getting more popular due to the ease in producing them – with the proliferation of powerful software that combine bracketed shots of a scene at different exposures into a single photo.

Original dull photo with overexposed skies and underexposed foreground

Original dull photo with overexposed skies and underexposed foreground

The process allows much more detail to be displayed in a single photo than is normally possible, through the clever tone mapping of the colours in the photo. As a result, what little details are left from blown-out highlights and murky shadows are rescued and made more discernible.

HDR Toning using Equalize Method - no controls are available

HDR Toning using Equalize Method

What if you weren’t able to bracket the shot, or you have an old jpeg that wasn’t bracketed but still wants the same eerie and otherworldly effect? Photoshop CS5 has a new HDR Toning feature that can fake simulate the look, even if you only have a single exposure.

I tried it out and found the result rather impressive.

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Tips for making selections in Photoshop

Saturday, May 22nd, 2010

Here are 4 quick tips for making selections in Photoshop: how to move a selection marquee after making it, how to reshape the selection marquee to better fit the object you want to select, how to combine two selection marquees, and selecting the unwanted area first before inverting the selection.

Backlit statue against a clear blue sky

Sometimes, it may be easier to select the UNWANTED portion of the photo first.

The dark backlit statue is lightened up without blowing up the background sky

The dark backlit statue is lightened up without blowing up the background sky

After making global adjustments (such as overall contrast/brightness and colour balance) that apply to the entire photo, we usually want to apply corrections/enhancements/special-effects only to certain parts of the photo. To do that, we need to select the relevant portions of the photo first.

My article in Digital Life on 19 May (Making the right selection) illustrated the use of Photoshop’s simplest selection tools – the Rectangular and Elliptical Marquee tools. Below are 4 handy tips when using any of Photoshop’s selection tools to make selections:

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Apple gaining ground in fight over Flash

Friday, May 21st, 2010

Ben Worthen reports in the Wall Street Journal that:

The punches that Apple Inc. is throwing in its fight against Adobe Systems Inc. are beginning to land, prompting some companies to shift away from Adobe’s video and animation technology and forcing Web designers to work with competing standards.

A US$226 billion behemoth versus US$17.3 billion Adobe – no surprises on who’s going to prevail.

For the moment, the immediate tactical fight is over Flash on iPhones/iPads. For the longer term, the strategic posturing sees Apple defending its sealed garden, while Flash fears the migration away from Flash will spill over outside of Apple’s ecosystem into the general world wide web.

Logo of Adobe Flash

Flash - Some believe it was one big reason why Adobe acquired Macromedia in 2005

We are beginning to see a repeat of the tedium facing web developers and visitors that arose from the browser wars. Different browsers had varying compliance to web standards. Web developers had to develop different versions of their websites optimised for different browsers. For websites that don’t, users will have to use the appropriate browser to enjoy the full intended experience.

Now you’d need one version of your website for Apple iPads/iPhones, and another for the rest of the world who still uses Flash.

Who will prevail?

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The original Sneak Peek video for Content-Aware Fill

Monday, May 17th, 2010

This was the original sneak peek video that Adobe uploaded onto YouTube just 3weeks before the official launch. It gave a good idea of what the feature would be capable of.

Now you see it … now you don’t

Sunday, May 16th, 2010
Before: Two Spanish boys frolicking on a beach in Altea

Before: Two Spanish boys frolicking on a beach in Altea

After: The two boys removed in seconds using Content-Aware Fill

After: The two boys removed using Content-Aware Fill

Yesterday, I showed how Photoshop CS5’s new Content-Aware Fill can be applied using the Spot Healing brush. The second way of using the powerful feature is to use the Content-Aware option when applying the Fill command.

I took the photo of two local boys at the Spanish beach at Altea, just 10 km to the north of the famous beach haven of Benidorm on the Costa Blanca. I like the way these two boys added life to the beach scene. But just to test out the Content-Aware Fill, I decided to “remove” them from the photo.

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Photoshop’s New Content-Aware Fill

Saturday, May 15th, 2010
Before: Ugly clothes-line in front of charming traditional Japanese shophouse

Before: Ugly clothes-line in front of charming traditional Japanese shophouse

After: Clothes-line removed with Spot Healing brush using Content-Aware

After: Clothes-line removed with Spot Healing brush using Content-Aware

The most hyped feature in Photoshop CS5 is the Content-Aware Fill. The feature enables you to remove an object in your photo and see it automatically replaced with pixels that match the lighting, tone, and noise of the surrounding area so that it looks like the removed object never existed. Previously, you would have to painstakingly use the Clone Stamp tool to manually copy pixels from surrounding areas to replace the unwanted object.

There are two ways to use Content-Aware Fill. The first is to paint with the Spot Healing Brush (which I will demo today) while the other is as an option of the Fill command to replace content in an active selection.

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Here today … gone tomorrow

Thursday, May 13th, 2010
Before: crooked sunset photo with cables overhead

Before: Nice sunset over Siloso beach marred by the flying fox cables overhead.

After: Cables removed with Spot Healing Brush and straightened

After: Cables removed with Spot Healing Brush and straightened

Use the Spot Healing brush to remove overhead cables and wires from your snapshots. I took the sunset photo at Siloso Beach, on the resort island of Sentosa – to the south of Singapore. Overhead are some flying fox cables on which people slide down from a high tower further inland.

I chose a brush size slightly wider than each of the flying fox cables. Dragging over the cables got Photoshop to replace them seamlessly with pixels from the sky around. To straighten the photo, just select the Ruler Tool (nested below the Eyedropper Tool), drag along the horizon and click the Straighten button (new in CS5) on the options bar at the top of the screen.

Photoshop provides many ways of removing unwanted people or objects from your photos. In this article that I wrote for Digital Life on 12 May 2010, I illustrate the use of some of the tools in Photoshop CS5 in different situations. The article is the first of a new 12-part series that will run in Digital Life every Wednesday.

Singapore Prices for Adobe CS5 at Roadshow in Suntec City

Wednesday, May 12th, 2010

Get Adobe CS5 at S$3925 or Photoshop CS5 at S$1057 instead of the street prices of S$5036 and S$1354 respectively. JK Technology is offering the roadshow promotional prices until end of May 2010. I have listed the prices for the other components of CS5 at the end of this post.

Box sets from Adobe CS5 family

Adobe CS5 launched on 12 Apr 2010

The Singapore leg of the 5 nation promotion took place from 0900 to 1720 hrs at Suntec City Ballroom. Judging by the agenda and the selection of presenters and keynote speakers, it is clear that Adobe sees Singapore as the most significant market in South East Asia, followed by Thailand, Malaysia and the Philippines, and Indonesia. The Thailand stopover, supposed to be the first stop, was postponed indefinitely in view of the political situation there.

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