Archive for January 5th, 2011

Correcting exposure using Layers (Part 5 of 14)

Wednesday, January 5th, 2011
An alternative method of adjusting brightness and contrast is to use Layers in GIMP with an appropriate Layer Mode. This can often yield more pleasing results than the automatic adjustments or the Brightness-Contrast command.
Layers dialog in GIMP

Pict 1: The Layers dialog in GIMP displays the layers in the image file and facilitates the manipulation of the layers.

Yesterday, we used GIMP’s automated adjustment tools to tweak the brightness and contrast of digital photos. We also tried out manual exposure adjustment using the Brightness-Contrast command. Today, we take a look at Layers and use Layer Modes as an alternative way of tweaking brightness and contrast.

Quick intro to Layers

When a digital photo file is opened in GIMP, it is placed in the Background layer. You can see the Background layer in the Layers dialog (see Picture 1). If you do any painting or make any brightness or contrast adjustments to the photo, pixels from the photo itself in the Background layer is altered permanently (unless you use the Undo command).

Layers dialog with duplicated layer

Pict 2: Layers dialog with duplicated layer. The Layer Mode and Opacity slider is at the top.

You can create additional image layers above the Background layer. The commands for manipulating layers can be found in the Layers dialog. The six icons at the bottom of the Layers dialog include commands to create a new layer, and to duplicate or delete a selected layer.

Inside the Layers dialog, click on a layer’s name to select the layer, double-click the name to rename it and toggle the eye icon to the left of the layer name to hide or show the layer’s contents. When a layer is selected, any painting or adjustments will be confined to the pixels in the selected layer.

Layer Modes
Layer duplicated twice using Screen Layer Mode

Pict 3: The screen layer mode lightens the pixels below. Duplicate the layer twice for a stronger lightening effect.

The pixels in different layers interact with each other in different ways – depending on the Layer Mode for each layer. There is a total of 21 different Layer Modes. Select one using the “Mode” dropdown box right at the top of the Layers dialog.

The default mode for a layer is “Normal” – the pixels in the upper layer simply obscure the pixels in the layers below. Below the “Mode” dropdown box is the “Opacity” slider which determines how much of pixels in the layer are visible.

Below, we will use the three most commonly used Layer Modes to darken, brighten or increase the contrast of a photo.

Adjusting brightness/contrast using layers
Enhancing contrast using Contrast Layer Mode

Pict 4: Create a new layer from all the earlier layers and apply Contrast layer mode.

First duplicate the Background layer containing the photo by selecting the Layer > Duplicate Layer command from the main menu. You can also click fourth icon from the left at the bottom of the Layers dialog.

A new duplicated layer containing a duplicate copy of the photo is created above the Background layer. In the Layers dialog, click on the name of the duplicated layer to select it. Now click the “Mode” dropdown box at the top of the Layers dialog to change the Layer Mode of the duplicated layer.

Making overexposed photos darker

To darken overexposed photos that are too bright, set the Layer Mode of the duplicated layer to “Multiply”. The photo is now darkened. If the darkening effect is too strong, reduce the opacity of the duplicated layer by dragging the Opacity slider (just below the “Mode” dropdown box) to the left (see Picture 2 above).

Overexposed photo of a potted plant that is too bright

Pict 5: This photo was shot near the asylum in Saint-Rémy-de-Provence, France; where Vincent van Gogh stayed and convalesced for a year

The overexposed photo has been darkene

Pict 6: The original overexposed photo has been darkened by duplicating the layer and setting its layer mode to "Multiply"

If the darkening effect is not strong enough even with the opacity at 100%, duplicate the duplicated layer. Because this new layer will already have its Layer Mode set to Multiply, it will further darken the photo. As before, if the effect is too strong, lower the opacity of the topmost layer.

Making underexposed photos lighter

To lighten underexposed photos that are too dark, duplicate the background layer containing the photo and set the Layer Mode of the duplicated copy on top to “Screen”. As before, control the intensity of the lightening either by reducing the opacity of the duplicated layer, or by further duplicating the duplicated layer – or a combination of both (see Picture 3 above).

Underexposed photo of red roses

Pict 7: These beautiful roses in the courtyard of Monastère St. Paul-de-Mausole are underexposed and too dark.

Roses have been brightened up

Pict 8: The roses have been brightened up by applying the "Screen" layer mode to the two duplicated layers.

Increasing contrast

If the background layer containing the photo is the only layer in the Layers dialog, duplicate the background layer using the Layer > Duplicate Layer command and set the Layer Mode of the duplicated copy on top to “Overlay”. This will increase the contrast of the photo.

Dull and flat photo of a statue

Pict 9: This photo of a forgotten statue at a corner of the asylum appears dull and flat.

The statue now has more "personality"

Pict 10: An "Overlay" layer mode was used to increase the contrast of the statue.

But if you had earlier already duplicated layers to lighten or darken the original photo, there will be at least two layers in the Layers dialog. In this case, use Layer > New from Visible command in the main menu to create a new layer from the combination of all the layers below (instead of the Layer > Duplicate Layer command which duplicates a single layer).

Set the Layer Mode of the new layer on top to “Overlay” to increase the contrast (see Picture 4 above).

Tomorrow, we’ll look at how to remove unwanted colour casts from photos using GIMP.

Olympus launches new flagship compact XZ-1

Wednesday, January 5th, 2011

The Olympus XZ-1 seeks to bridge the gap between a compact point-and-shoot and the digital single lens reflex (DSLR) camera. It will go on sale at an estimated S$699 by end January 2011.

The XZ-1 was first announced in September 2010 during the biennal Photokina 2010, the world’s largest visual equipment exhibition held in Cologne, Germany.

It is a 10-megapixel high-end compact with 4x optical zoom from 28mm to 112mm (35mm equivalent). It records HD movies, has a 610k dots OLED display and features 6 Art Filters that can be applied to movies recorded. The camera comes in black or white.

The Olympus XZ-1 comes in Black or White

The XZ-1 hopes to produce good image quality approaching those of DSLRs whilst sporting a compact body. Olympus hopes this will appeal to compact point-and-shoot users aspiring for greater manual control and image quality without having to lug a bulky camera around. The camera also targets the more seasoned DSLR user as a more compact secondary camera.

Previously, Olympus had filled this niche with the Pen series of Micro Four Thirds mirrorless interchangeable-lens cameras. The XZ-1 aims to augment this niche by providing a lower priced, more compact, fixed lens alternative.

The main selling points of the camera are listed below:

1. i.ZUIKO DIGITAL 4X zoom lens — the first time Olympus has equipped a camera in its compact range with its premium lens. The lens has a large aperture of f1.8 at its widest angle of 28mm (35mm equivalent). Even at its telescopic end at 112mm, the maximum aperture is a large f2.5. This allows low-light photography to be done at faster shutter speeds to reduce camera shake during exposure. It also enables a shallower depth of field.

2. A  large 1/1.63-inch high-sensitivity 10 megapixel (effective) CCD sensor to achieve high picture quality and shallow depth of field close to that available from SLR cameras. Compared to previous sensors which cramms 14 megapixels in a smaller 1/2.33-inch, the new CCD sensor has double the light receiving area per pixel – achieving higher picture quality and sensitivity.

3. TruePic V image processing engine — the same as used in the OLYMPUS PEN series — optimizes picture quality, while 6 pre-canned Art Filters provide in-camera special effects on photos taken without the need to use complicated photo-editing software on a computer. The Art Filters include the new Dramatic Tone filter recently introduced in the E-5, Olympus’ flagship DSLR.

Back view of the XZ-1 showing the 610k dots OLED display4. Live Guide interface guides novice users through various expert photographic techniques to help achieve the desired image, while the interface for advanced users provides direct control over camera functions using the control ring and control dial.

5. The 3-inch OLED (Organic Light Emitting Diode) display can display VGA picture data with 610,000-dot pixels. The display is capable of expressing deeper black than LCD because it can implement zero light emission status for expressing black. The wide angle of view ensures high visibility even during high- or low-angle shooting.

6. Dedicated movie button for instant start of HD movie recording (AVI Motion JPG 1280 x 720, 30 fps)

Listed here are some earlier write-ups on the Olympus XZ-1:
Photo reviewFull review | Detailed specs