Archive for the ‘Creative Suite’ Category

Adobe launches PDF Guild.

Tuesday, March 8th, 2011

In a bid to drum up interest in a staid workhorse product, and get consumers to look beyond its ubiquitous role as a document reader, Adobe has embarked upon an innovative campaign to convince people that Acrobat X is more than just a reader, or a document archiver.

Acrobat X contains a complete suite of modules to facilitate “sharing and collaboration of digital documents amongst co-worders”.

What is Acrobat?

To the man in the street, Acrobat brings immediately to mind Acrobat Reader, the ubiquitous free browser plug-in that enables the opening and viewing of documents saved in the equally ubiquitous PDF format.

Nothing exciting. In fact, many third party software publishe PDF reading software that promises to be smaller and faster than the original.

The other half of Acrobat comprises other modules that facilitate document archival via conversion of documents from proprietary formats to the universal PDF format. It enhances document collaboration by tracking and managing comments and amendments that co-workers can add – even simultaneously – and then reconcile into a neatly compiled working document.

Have you tried circulating minutes to members of a meeting and manually compiling spurious comments that come in from those members suggesting amendments? An Acrobat-based workflow can alleviate much of those grunt work and save everybody’s time and effort.

The price of such rigorous sharing is security, and this is implemented via document encryption and password-based access and rights.

Another form of document collaboration involves the interaction between the publishers and readers, and this is managed by the form authoring and editing module in Acrobat.

As for content, in addition to just plain text documents, Acrobat can add sound, video and graphics to the text. The latest PDF Portfolio module assembles the source files of multi-media elements together into a single multi-document portfolio packaged in slick Flash-based presentations (Unfortunately, there’s no HTML5 versions available – pity!).

Users don’t have to track multiple files manually to put them together outside of Acrobat.

Adobe PDF Guild

No wonder the folks at Adobe believe they have a product that does magic. They are aware, however, that general awareness of Acrobat’s full capabilities beyond that of the Reader is sorely lacking.

That’s why Adobe has launched the PDF Guild. Based on a metaphor of magic and wizardry, the PDF Guild seeks to build a community of Acrobat users that shares the knowledge and expertise of its members in the software rigorously with each other.

For starters, Adobe has built a simple self-paced computer-based learning package in the guise of a simple RPG (role-playing game) “adventure” to entice people to try out Acrobat and experience for themselves how easy to accomplish the tasks that Acrobat boasts it can achieve.

Five “quests” challenge the curious who signs up to complete assignments and quiz questions on “Document Conversion”, “Document Collaboration”, “Document Security”, “Dynamic Forms” and “Rich Documents”.

I’ve cleared all five quests and found that the hands-on experience did provide a clearer understanding how to do stuff in Acrobat.

To participate, visit www.adobepdfguild.com. Participants who don’t yet own a copy of Acrobat X can download and install a 30-day trial version. You’ll need a Facebook account too to participate.

Everything you need to complete the assigned tasks are provided, right down to working documents that you can download, work with in Acrobat and then save. The result is than uploaded from within www.adobepdfguild.com. Stumped along the way? Hints are available to make the road a little less difficult.

The magic? You start out as an the sorcerer’s apprentice and as you accomplish points, you get promoted to high ranks of wizardry, like Sorcerer, Mage and ultimately Wizard.

Goodies? The points earned can be used to redeem stuff from Adobe, from notepads and thumbdrives to free copies of Adobe Photoshop Elements 9 and Adobe Premiere Elements 9. Additional ways of earning points include introducing friends via email or Facebook, and participating in discussions at the Guild’s Facebook page.

Launch of Adobe Acrobat X

Tuesday, October 19th, 2010

Acrobat X aspires to be the Swiss knife of multi-media communications – facilitating the sharing and collaboration of digital documents amongst co-workers.

Box shots of Pro and Suite versions of Adobe Acrobat X

Adobe Acrobat X

The newly launched Version 10 sees its continued evolution – from its original inception as a standardised document viewer – into a vehicle for sharing compilations (Adobe calls them Portfolios) of text and graphics-embellished documents, voice and video presentations, as well as Flash animations.

Together with the free Acrobat Reader X, tighter collaboration among co-workers is enhanced with features like the ability to leave and consolidate comments amongst multiple recipients of a PDF document, as well as integration with Microsoft SharePoint and Office suite 2010.

Other features include the ability to automate routine, multi-step tasks with scripted Actions that do stuff like removing private meta data prior to publication and sharing of documents. User interface has also been made more ergonomical with the ability to display the most commonly used tools into one pane. Enterprise-wide deployment of the software is also made easier for IT administrators.

The software ships 30 days from today. Between now and the shipping date, buyers of the previous version Acrobat 9 will get a free upgrade to Acrobat X when the latter ships. There are three versions of Acrobat X available:

The detailed feature list of the three versions can be found here. The main difference between the Standard and Pro versions is in the inclusion of Adobe LiveCycle® Designer Enterprise Suite 2 in the latter. The Suite version sees the inclusion of image-editor Photoshop CS5, presentation converter Presenter 7, user-interface capture and presenter Captivate 5, and video converter Media Encoder CS5.

Adobe Acrobat X works in conjunction with the free Acrobat Reader X and online service Acrobat.com.

Reader X expands PDF access to mobile devices for Android, Windows Phone 7 and Blackberry Tablet OS. Apple iOS platforms as well as Windows Phone 7 phones – which do not support Flash – will not be able to access Portfolios since Portfolios requires Flash support.

Acrobat.com sees the introduction of Adobe SendNow, a new document exchange service that enables users to send and receive large files and track them with proof of receipt, avoid problems arising from email gateway, complicated FTP servers, and costs of expensive overnight mail. Adobe CreatePDF enables easy conversion of files to professional PDF documents from within Adobe Reader X or any Web browser.

Photoshop CS5: Complex and hairy selections made easier

Sunday, July 4th, 2010
Deer staring into headlights

Sharp edges along the horns and hairy edges elsewhere.

Photoshop CS5 has made it easier to make image selections and masks, speeding up the extraction of subjects from backgrounds and the creation of realistic composites.

Enhanced intelligent selection technology offers better edge detection and faster, more accurate masking results of complex subjects such as hair. Automatic color decontamination helps eliminate background color around the edges of a selection, resulting in more seamless compositions when placing extracted subjects on new backgrounds.

Dialog box with controls for Refine Edge

New controls can be found in the Refine Edge dialog

The enhanced controls are found in the Refine Edge dialog box when a selection is made.

The Smart Radius setting uses adaptive selection-edge modification approach to produce different types of selection edges on different parts of the subject’s outline, depending on the type of edges — whether the portion of the edge is fuzzy or sharp. This is based on the traditional best practice of using different techniques for different types of edges along the outline of the subject — one method for fuzzy hair and another for the clear edge of a building.

Selection outline in black and white

Selection outline in black and white

Additional view modes provide new ways of previewing the quality of the selections.

The Refine Radius and Erase Refinements tools allows the initial selection to be refined — be it to add more of the subject or to remove more of the background along the selection edge.

My article in Digital Life on 2 June 2010 (Not a hair out of place) illustrated the use of the enhanced selection controls to make a hairy selection round a starry-eyed deer in Miyajima, Japan.

Photoshop: Selecting objects with irregular outlines

Sunday, May 30th, 2010

My article in Digital Life on 26 May 2010 (Choice selections) illustrated the use of the Lasso Tool, the Polygonal Lasso Tool and the Magic Wand Tool for making selections of objects or areas of the image with an irregular outline.

Red telephone booth amidst drab surroundings

Red telephone booth to be selected and preserved

Red telephone preserved while surroundings toned down to Black and White

Surroundings toned down to Black and White

Where there is a fair amount of contrast in colour between the object to be selected – such as the red telephone booth – and the surrounding pixels, you can also use the Magnetic Lasso Tool.

Just click anywhere on the edge of the object move the mouse along the edge of the object, in this case the booth. As the mouse moves along the edge, Photoshop will detect where the edge is by examining the contrast between the pixels on either side of the mouse cursor.

Photoshop will place anchor points along the edge as you go along. You don’t have to click the mouse button.

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HDR Toning in Photoshop CS5 (Part 2)

Monday, May 24th, 2010
Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Photorealistic High Contrast - I like the few high contrast HDR toning effects.

Photorealistic High Contrast Preset - I like the few high contrast HDR toning effects available.

Photorealistic Preset

Photorealistic Preset

Surrealistic High Contrast effect - I like the few high contrast presets available.

Surrealistic High Contrast effect

Using the “Local Adaptation” Method, there are 14 Presets available that gives a whole spectrum of different HDR Toning effects. I have included above the results of a few of my favourite presets.

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New HDR Toning feature in Photoshop CS5 (Part 1)

Sunday, May 23rd, 2010
HDR-like effect applied to a single snapshot

HDR-like effect applied to a single snapshot

Ever saw those surrealistic digital photographs of landscapes that are so rich in colours? These High Dynamic Range (HDR) photos are getting more popular due to the ease in producing them – with the proliferation of powerful software that combine bracketed shots of a scene at different exposures into a single photo.

Original dull photo with overexposed skies and underexposed foreground

Original dull photo with overexposed skies and underexposed foreground

The process allows much more detail to be displayed in a single photo than is normally possible, through the clever tone mapping of the colours in the photo. As a result, what little details are left from blown-out highlights and murky shadows are rescued and made more discernible.

HDR Toning using Equalize Method - no controls are available

HDR Toning using Equalize Method

What if you weren’t able to bracket the shot, or you have an old jpeg that wasn’t bracketed but still wants the same eerie and otherworldly effect? Photoshop CS5 has a new HDR Toning feature that can fake simulate the look, even if you only have a single exposure.

I tried it out and found the result rather impressive.

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Tips for making selections in Photoshop

Saturday, May 22nd, 2010

Here are 4 quick tips for making selections in Photoshop: how to move a selection marquee after making it, how to reshape the selection marquee to better fit the object you want to select, how to combine two selection marquees, and selecting the unwanted area first before inverting the selection.

Backlit statue against a clear blue sky

Sometimes, it may be easier to select the UNWANTED portion of the photo first.

The dark backlit statue is lightened up without blowing up the background sky

The dark backlit statue is lightened up without blowing up the background sky

After making global adjustments (such as overall contrast/brightness and colour balance) that apply to the entire photo, we usually want to apply corrections/enhancements/special-effects only to certain parts of the photo. To do that, we need to select the relevant portions of the photo first.

My article in Digital Life on 19 May (Making the right selection) illustrated the use of Photoshop’s simplest selection tools – the Rectangular and Elliptical Marquee tools. Below are 4 handy tips when using any of Photoshop’s selection tools to make selections:

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Now you see it … now you don’t

Sunday, May 16th, 2010
Before: Two Spanish boys frolicking on a beach in Altea

Before: Two Spanish boys frolicking on a beach in Altea

After: The two boys removed in seconds using Content-Aware Fill

After: The two boys removed using Content-Aware Fill

Yesterday, I showed how Photoshop CS5’s new Content-Aware Fill can be applied using the Spot Healing brush. The second way of using the powerful feature is to use the Content-Aware option when applying the Fill command.

I took the photo of two local boys at the Spanish beach at Altea, just 10 km to the north of the famous beach haven of Benidorm on the Costa Blanca. I like the way these two boys added life to the beach scene. But just to test out the Content-Aware Fill, I decided to “remove” them from the photo.

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Photoshop’s New Content-Aware Fill

Saturday, May 15th, 2010
Before: Ugly clothes-line in front of charming traditional Japanese shophouse

Before: Ugly clothes-line in front of charming traditional Japanese shophouse

After: Clothes-line removed with Spot Healing brush using Content-Aware

After: Clothes-line removed with Spot Healing brush using Content-Aware

The most hyped feature in Photoshop CS5 is the Content-Aware Fill. The feature enables you to remove an object in your photo and see it automatically replaced with pixels that match the lighting, tone, and noise of the surrounding area so that it looks like the removed object never existed. Previously, you would have to painstakingly use the Clone Stamp tool to manually copy pixels from surrounding areas to replace the unwanted object.

There are two ways to use Content-Aware Fill. The first is to paint with the Spot Healing Brush (which I will demo today) while the other is as an option of the Fill command to replace content in an active selection.

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Here today … gone tomorrow

Thursday, May 13th, 2010
Before: crooked sunset photo with cables overhead

Before: Nice sunset over Siloso beach marred by the flying fox cables overhead.

After: Cables removed with Spot Healing Brush and straightened

After: Cables removed with Spot Healing Brush and straightened

Use the Spot Healing brush to remove overhead cables and wires from your snapshots. I took the sunset photo at Siloso Beach, on the resort island of Sentosa – to the south of Singapore. Overhead are some flying fox cables on which people slide down from a high tower further inland.

I chose a brush size slightly wider than each of the flying fox cables. Dragging over the cables got Photoshop to replace them seamlessly with pixels from the sky around. To straighten the photo, just select the Ruler Tool (nested below the Eyedropper Tool), drag along the horizon and click the Straighten button (new in CS5) on the options bar at the top of the screen.

Photoshop provides many ways of removing unwanted people or objects from your photos. In this article that I wrote for Digital Life on 12 May 2010, I illustrate the use of some of the tools in Photoshop CS5 in different situations. The article is the first of a new 12-part series that will run in Digital Life every Wednesday.