Archive for the ‘Photoshop’ Category

Adobe Refresh Roadshow in Singapore

Thursday, March 10th, 2011
Two product “evangelists” and the Product Manager of Flash Professional show designers and attendees how to design once but deploy to different hardware and software platforms and screen sizes.

Instead of designing for the standard desktop monitor at standard screen resolutions, end-users are accessing web content using a whole range of devices with different screen sizes/resolutions, and on different hardware and software platforms.

Adobe Refresh Roadshow on 10 Mar 2011 in SingaporeThese devices range from the traditional PC to the whole range of smartphones and more recently the tablets and web TVs.

Richard Galvan, Product Manager - Flash ProfessionalFlash Professional Product Manager, Richard Galvan, went through the trends of the day and predicted that the number of people surfing the Internet using smartphones and tablets will surpass the number using PCs by 2013 – maybe earlier.

He demonstrated how the existing and upcoming versions of Adobe’s Flash Professional and Flex application development platform facilitates the ability to develope apps only once but deploy to devices running different operating systems such as Google’s Android, Apple’s iOS and RIM’s BlackBerry.

Paul Burnett, APAC Evangelist - Adobe Systems IncMichael Stoddart, APAC Evangelist - Adobe Systems IncThe product “evangelists” Paul Burnett and Michael Stoddart also illustrated how the software assisted coders by providing features such as code hints, code completion and code snippets – so much so that even designers could have a go at the coding.

RIM's BlackBerry Playbook  displayed in Singapore for the first time.Some of the sneak peeks of features being explored for future products were also presented. Some of these were first shown in Adobe Max 2010 developer conference in October last year.

The beta version of the BlackBerry Playbook, which made its first appearance during Adobe Max, was also displayed for the first time in Singapore.

Photoshop on a tablet?

Photoshop on a tablet?

Galvan also gave a demo on the recently released Wallaby – an experimental piece of software for converting Flash files into HTML5.

The simple animation he converted were identical before and after conversion – handy for banner ads without audio, video, or ActionScript.

Multi-touch interface for a future version of Photoshop?

Multi-touch interface for a future version of Photoshop?

Galvan believed that Flash and HTML5 were complementary instead of being mutually exclusive. He emphasised that Flash and HTML5 will continue to complement each other into the future, with Flash providing additional features and capabilities to HTML5 based content.

The roadshow was held at the NTUC auditorium at One Marina Boulevard from 8.30am to 5.30pm.

Photoshop CS5: Complex and hairy selections made easier

Sunday, July 4th, 2010
Deer staring into headlights

Sharp edges along the horns and hairy edges elsewhere.

Photoshop CS5 has made it easier to make image selections and masks, speeding up the extraction of subjects from backgrounds and the creation of realistic composites.

Enhanced intelligent selection technology offers better edge detection and faster, more accurate masking results of complex subjects such as hair. Automatic color decontamination helps eliminate background color around the edges of a selection, resulting in more seamless compositions when placing extracted subjects on new backgrounds.

Dialog box with controls for Refine Edge

New controls can be found in the Refine Edge dialog

The enhanced controls are found in the Refine Edge dialog box when a selection is made.

The Smart Radius setting uses adaptive selection-edge modification approach to produce different types of selection edges on different parts of the subject’s outline, depending on the type of edges — whether the portion of the edge is fuzzy or sharp. This is based on the traditional best practice of using different techniques for different types of edges along the outline of the subject — one method for fuzzy hair and another for the clear edge of a building.

Selection outline in black and white

Selection outline in black and white

Additional view modes provide new ways of previewing the quality of the selections.

The Refine Radius and Erase Refinements tools allows the initial selection to be refined — be it to add more of the subject or to remove more of the background along the selection edge.

My article in Digital Life on 2 June 2010 (Not a hair out of place) illustrated the use of the enhanced selection controls to make a hairy selection round a starry-eyed deer in Miyajima, Japan.

Photoshop: Selecting objects with irregular outlines

Sunday, May 30th, 2010

My article in Digital Life on 26 May 2010 (Choice selections) illustrated the use of the Lasso Tool, the Polygonal Lasso Tool and the Magic Wand Tool for making selections of objects or areas of the image with an irregular outline.

Red telephone booth amidst drab surroundings

Red telephone booth to be selected and preserved

Red telephone preserved while surroundings toned down to Black and White

Surroundings toned down to Black and White

Where there is a fair amount of contrast in colour between the object to be selected – such as the red telephone booth – and the surrounding pixels, you can also use the Magnetic Lasso Tool.

Just click anywhere on the edge of the object move the mouse along the edge of the object, in this case the booth. As the mouse moves along the edge, Photoshop will detect where the edge is by examining the contrast between the pixels on either side of the mouse cursor.

Photoshop will place anchor points along the edge as you go along. You don’t have to click the mouse button.

(more…)

HDR Toning in Photoshop CS5 (Part 2)

Monday, May 24th, 2010
Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Monochromatic High Contrast Preset - a few black and white HDR Toning effects are included in the Presets

Photorealistic High Contrast - I like the few high contrast HDR toning effects.

Photorealistic High Contrast Preset - I like the few high contrast HDR toning effects available.

Photorealistic Preset

Photorealistic Preset

Surrealistic High Contrast effect - I like the few high contrast presets available.

Surrealistic High Contrast effect

Using the “Local Adaptation” Method, there are 14 Presets available that gives a whole spectrum of different HDR Toning effects. I have included above the results of a few of my favourite presets.

(more…)

New HDR Toning feature in Photoshop CS5 (Part 1)

Sunday, May 23rd, 2010
HDR-like effect applied to a single snapshot

HDR-like effect applied to a single snapshot

Ever saw those surrealistic digital photographs of landscapes that are so rich in colours? These High Dynamic Range (HDR) photos are getting more popular due to the ease in producing them – with the proliferation of powerful software that combine bracketed shots of a scene at different exposures into a single photo.

Original dull photo with overexposed skies and underexposed foreground

Original dull photo with overexposed skies and underexposed foreground

The process allows much more detail to be displayed in a single photo than is normally possible, through the clever tone mapping of the colours in the photo. As a result, what little details are left from blown-out highlights and murky shadows are rescued and made more discernible.

HDR Toning using Equalize Method - no controls are available

HDR Toning using Equalize Method

What if you weren’t able to bracket the shot, or you have an old jpeg that wasn’t bracketed but still wants the same eerie and otherworldly effect? Photoshop CS5 has a new HDR Toning feature that can fake simulate the look, even if you only have a single exposure.

I tried it out and found the result rather impressive.

(more…)

Tips for making selections in Photoshop

Saturday, May 22nd, 2010

Here are 4 quick tips for making selections in Photoshop: how to move a selection marquee after making it, how to reshape the selection marquee to better fit the object you want to select, how to combine two selection marquees, and selecting the unwanted area first before inverting the selection.

Backlit statue against a clear blue sky

Sometimes, it may be easier to select the UNWANTED portion of the photo first.

The dark backlit statue is lightened up without blowing up the background sky

The dark backlit statue is lightened up without blowing up the background sky

After making global adjustments (such as overall contrast/brightness and colour balance) that apply to the entire photo, we usually want to apply corrections/enhancements/special-effects only to certain parts of the photo. To do that, we need to select the relevant portions of the photo first.

My article in Digital Life on 19 May (Making the right selection) illustrated the use of Photoshop’s simplest selection tools – the Rectangular and Elliptical Marquee tools. Below are 4 handy tips when using any of Photoshop’s selection tools to make selections:

(more…)

Now you see it … now you don’t

Sunday, May 16th, 2010
Before: Two Spanish boys frolicking on a beach in Altea

Before: Two Spanish boys frolicking on a beach in Altea

After: The two boys removed in seconds using Content-Aware Fill

After: The two boys removed using Content-Aware Fill

Yesterday, I showed how Photoshop CS5’s new Content-Aware Fill can be applied using the Spot Healing brush. The second way of using the powerful feature is to use the Content-Aware option when applying the Fill command.

I took the photo of two local boys at the Spanish beach at Altea, just 10 km to the north of the famous beach haven of Benidorm on the Costa Blanca. I like the way these two boys added life to the beach scene. But just to test out the Content-Aware Fill, I decided to “remove” them from the photo.

(more…)

Photoshop’s New Content-Aware Fill

Saturday, May 15th, 2010
Before: Ugly clothes-line in front of charming traditional Japanese shophouse

Before: Ugly clothes-line in front of charming traditional Japanese shophouse

After: Clothes-line removed with Spot Healing brush using Content-Aware

After: Clothes-line removed with Spot Healing brush using Content-Aware

The most hyped feature in Photoshop CS5 is the Content-Aware Fill. The feature enables you to remove an object in your photo and see it automatically replaced with pixels that match the lighting, tone, and noise of the surrounding area so that it looks like the removed object never existed. Previously, you would have to painstakingly use the Clone Stamp tool to manually copy pixels from surrounding areas to replace the unwanted object.

There are two ways to use Content-Aware Fill. The first is to paint with the Spot Healing Brush (which I will demo today) while the other is as an option of the Fill command to replace content in an active selection.

(more…)

Here today … gone tomorrow

Thursday, May 13th, 2010
Before: crooked sunset photo with cables overhead

Before: Nice sunset over Siloso beach marred by the flying fox cables overhead.

After: Cables removed with Spot Healing Brush and straightened

After: Cables removed with Spot Healing Brush and straightened

Use the Spot Healing brush to remove overhead cables and wires from your snapshots. I took the sunset photo at Siloso Beach, on the resort island of Sentosa – to the south of Singapore. Overhead are some flying fox cables on which people slide down from a high tower further inland.

I chose a brush size slightly wider than each of the flying fox cables. Dragging over the cables got Photoshop to replace them seamlessly with pixels from the sky around. To straighten the photo, just select the Ruler Tool (nested below the Eyedropper Tool), drag along the horizon and click the Straighten button (new in CS5) on the options bar at the top of the screen.

Photoshop provides many ways of removing unwanted people or objects from your photos. In this article that I wrote for Digital Life on 12 May 2010, I illustrate the use of some of the tools in Photoshop CS5 in different situations. The article is the first of a new 12-part series that will run in Digital Life every Wednesday.